Category Archives: Industry

New Yorker: Uncovers the Secret of Auto Tune

Auto Tune
It’s not particularly a secret. In fact every artist and producer knows about it. Most every artist uses it. And some artist try to shine a spotlight on what has become known in the industry as the “Cher” effect. This week in the New Yorker Sasha Fere Jones breaks down exactly what the digital audio tool Auto Tune actually does. He also touches upon why it has gone from a helpful tool in producers tool box to exhibit “A” entered in to evidence as to why contemporary pop music ( including all your radio friendly hip hop) continues to suck.
Maybe there should be better performances from artist the shouldn’t need that much correcting. And maybe if you are going for effecting your vocal sound artist/producers/radio/labels should look elsewhere for inspiration besides a 10 year old pop track from an cougar with her ass hanging out straddling a war ship. ( We seriously do like that song though).

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Also posted in Interview, trends |

My Morning Jacket coming to your local Dive Bar

MMJ
My Morning Jacket plans to debut their upcoming album “Evil Urges” on the internet jukeboxes in dive bars nation wide one week before it becomes available in stores. This does seems like a new and interesting way to promote a new release. We thought that The Hold Steady would have beaten them to the punch on this one.
If anyone knows where one of the 10,000 Jukeboxes is in Brooklyn let us know. I will take you down there and show you how cool it is.

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Also posted in Emo, trends |

Jill Sobule and Giant Drag Seek Donations for New Albums

Annie Hardy of Giant Drag
Perhaps I’m old fashioned, but I was brought up with the capitalist concepts of producer and consumer – someone makes something that I want, and I pony up the cash for my own copy of it. There are shared assumptions in this agreement – I believe that the company will make something that I want (and they will front the cash for the development of it) and they believe that what they’re creating is so good that I won’t be able to resist paying for it, thus covering the costs of the R and D and providing a profit as well. Simple enough, ay?

Sure…but as artists like Jill Sobule and Giant Drag are showing us, it’s definitely not the only way. As more and more record labels look to cut costs by eliminating “extra frills” like, say, production, artists are turning to their fan base to support their art. Now, there’s nothing new about this – artists have been selling everything from buttons and fridge magnets to posters and t-shirts to help fund their future endeavors; still, unless they’re a major touring act, those magnets rarely generate the kind of capital necessary to fund their next album. In fact, the purpose of a modern day label lies almost exclusively in being a production, distribution, marketing and financial resource for an act. As we all know, however, most of those functions have been put in the hands of artists these days anyways (certainly digital distro and marketing) – so one could argue that the primary value of a label to an artist is money. Effectively, labels invest in an act, hoping that their investment will pay off…and if it doesn’t, they’re out. So what if this last function of the label, money, could come from another source? Would there even be a need for the record label’s bank accounts?

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Also posted in Independent, Rants, trends |

SXSW 2008 Coverage on a Budget: 763 Reviews

Drunks hitting pans with their dicks. PAUL FORD at The Morning News takes
one for the team. While I don’t know exactly how his habit of 6 word
‘twittering” (now a verb apparently) aides humanity, Mr. Ford has taken the
HUGE trouble of listening to 48 continuous hours of music from 763 of the
acts appearing this week at the South by Southwest (SXSW) festival in
Austin, Texas. He’s saved us and himself from even further torture by
making each and every one of his reviews 6 words long, providing us with
gems like “Soft pink vagina frosted jazz cupcakes” to describe a tune by
Abra Moore and the shudder inducing yet intriguing “Turn away, Coldplay’s
raping Maroon 5.” This list made me more likely to listen to the bad
songs…which is really what SXSW is all about, no?
~Eileen “Kiss Me, I’m Irish “Greene

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Also posted in Conferences, Electro, Emo, Festivals, Hip Hop, Independent, Pop, R&B, Review |
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